Cameron Martin, “Location Tone,” 2003, lithograph 13/30, 32 3/8” x 37 3/8”
Karen Kunc, “Ephemera,” 2009, 11 pages, accordion structure with gatefold center spread; bound into covered boards with decorative woodcut printed paper and end sheets, goatskin spine Japanese Nishinouchi handmade kozo paper, 10” x 6” (folded), 10” x 42” (open)
Cameron Martin, “Under the Sun Every Day Comes and Goes,” 2003, lithograph, 15/30, 48 ½” x 38”
Michael Marshall, “#80,” 2012, monoprint, 33 ¾” x 43”
David Klamen, “Untitled,” 2001 (DK01 601 – yellow), aquatint with surface roll, 22/30, 25 7/8” x 29 3/8”
“What Remains,” 1999, Van Dyke brown printing on rag paper, collage: stained foils, shards of light and dark green glass, sand, acrylic, silver bronzing powders, prismacolor pencil, 41” x 31”
Karen Kunc, “Truly Bone,” 1998, 20/50, mixed media bookwork, 7 ½” x 150” (unfolded)
Karen Kunc, “Evocation,” 2006, 22/25, bookwork: woodcut, etching, letterpress, 9 1/4” x 4 1/2” (folded), 9 1/4” x 108” (unfolded)
Karen Kunc, “Small Gifts,” 11/18, 2004, 5 ¼” x 3 ¼” (folded), 5 ¼” x 63” (unfolded)
Karen Kunc, “Transformation,” #4/4, 1997, etching and box for book, 7 ½” x 5” x 1 ¼”
Steven Sorman, “need for which,” 2003, 8/15, etching, aquatint, hand painting, chine colle’ on Kurotani paper, 41 3/8” x 26 1/8”
Karen Kunc, “Drift Melt,” 5/10, 2003, etching and woodcut, 21 ¾” x 21 ¾”
Ellen Glasgow, “Fall Yellow,” 2016, monoprint, 26 ½” x 36 ¾”
Steven Sorman, “names of clouds (viii),” 2008, photopolymer intaglio, acrylic, polymer on linen, “35” x 17 ½”
Karen Kunc, “Shelter Belt,” 8/8, 2003, etching and woodcut, 21 ¾” x 21 ¾”
Jeanine Coupe Ryding, “Forest Red,” 2012, woodcut print on Japanese paper with, walnut dyes, 72 ½” x 28”
Suzanne Caporael, “Grasonville, Maryland,” 2013, etching, 29/30, 32 9/16” x 25 ¼”
Suzanne Caporael, “Montpelier, Ohio,” 2013, etching, 29/30, 32 9/16” x 25 ¼”
Jeanine Coupe Ryding, “Blue Script Verso,” 2012, woodcut print on Japanese paper with Indigo dye, 1/1, 27 ½” x 72 ½”
Jeanine Coupe Ryding, “Two Forms,” 2012, woodcut print on Japanese paper with Indigo dye, 1/1, 27 ½” x 72 ½”
Francesca Sutil, “Mute 23,” 2/20, 2013, etching on Hanemuhle paper, “35 ¾” x 27 ¾”
Steven Sorman, “difference in ages xxiii,” 1998, monoprint, 25 ¼” x 25 ¼”
Karen Kunc, “Vorticity,” 2014, monoprint and mixed media, 24 1/8” x 20 1/8”
Karen Kunc, “Spectral Rose,” 4/7, 2006, etching and woodcut, 18 ¾” x 30 ¾”